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Blondie turned to Britain-based pop producer Mike Chapman for their third album, on which they abandoned any pretensions to new wave legitimacy (just in time, given the decline of the style) and emerged as a mainstream, contemporary pop/rock band. But it wasn't just Chapman's influence that made Parallel Lines Blondie's best album; it was also the band's own songwriting, including Deborah Harry, Chris Stein, and Jimmy Destri's "Picture This"; Harry and Stein's disco-styled "Heart of Glass"; and Harry and new bass player Nigel Harrison's "One Way or Another"; plus two contributions from non-band member Jack Lee, "Will Anything Happen?" and "Hanging on the Telephone." Together, they were enough to give Blondie a number one on both sides of the Atlantic with "Heart of Glass" and three more U.K. hits, but what impresses is the album's depth and consistency -- album tracks like "Fade Away and Radiate" and "Just Go Away" are as impressive as the songs pulled for singles. Still, Chapman's contribution is not to be discounted; a producer with a track record full of punchy British pop hits with his former partner Nicky Chinn for Suzi Quatro, Mud, the Sweet, and Smokie, he brought his sense of precise arranging and playing to a band that previously had been quite sloppy in execution, and he did it without sacrificing the group's spirit, particularly Harry's snotty yet sophisticated vocal style. The result is state-of-the-art pop/rock circa 1978, with Harry's tough-girl glamour setting the pattern that would be exploited over the next decade by a host of successors, led by Madonna. (The 2001 reissue adds four bonus tracks, among them a live rendition of T. Rex's "Bang a Gong (Get It On)" and a previously unreleased preliminary version of "Heart of Glass" called "Once I Had a Love (AKA The Disco Song).
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