Showing posts with label Madness. Show all posts
Showing posts with label Madness. Show all posts

Saturday, 2 May 2020

Madness The Rise & Fall Deluxe Edition



Get It At Discogs
There’s a certain grandness to the title of Madness Presents the Rise & Fall, the group’s fourth album and undeniable pop masterpiece: it’s clear that the band has ambitions, to go several steps beyond ska, to craft nothing less than a Village Green Preservation Society for the ‘80s. The Kinks figure heavily in Madness’ design for The Rise & Fall, both in individual tunes and the overall arc of the concept album, but so does Ian Dury’s celebration of the riffraff of London, the latter giving Madness an earthiness that Ray Davies’ crew lacked during their time on the Village Green. While Madness’ forefathers are evident, The Rise & Fall is recognizably Madness in sound and sensibility; faint echoes of their breakneck nutty beginnings can be heard on “Blue Skinned Beast” and “Mr. Speaker Gets the Word,” the melodies are outgrowths of such early masterpieces as “My Girl,” there’s a charming, open-hearted humor and carnivalesque swirl that ties everything together. All this comes to a head on “Our House,” as divine a pop single as there ever was -- so undeniable that this very British anthem actually crossed over into the American Top Ten in 1983 -- but that’s merely the splashiest evidence of Madness’ popcraft on The Rise & Fall. The rest of the record contains the same wit, effervescence, and joy, capturing what British pop life was all about in 1982, just as Village Green Preservation Society did in 1968 or Blur’s Parklife would do in 1994. Expanded 2010 reissue second disc has a wealth of extras: a four-song Kid Jensen Session; the non-LP singles “House of Fun” and “Driving in My Car,” along with their B-sides “Don’t Look Back” and “Animal Farm," as well as “Riding on My Bike,” which was on the flip of the “Driving” 12"; an extended 12" mix of “Our House,” plus the B-side “Walking with Mr. Wheeze” and the U.S. instrumental mix “Mad House"; the Warped 12" “Tomorrow's (Just Another Day)," plus its B-side “Blue Beast [Warp Mix]” and a version of “Tomorrow's” recorded with Elvis Costello; the DJ promo single “Our House [Stretch Mix]"; and, finally, there’s “The National Anthem,” the capper on a very generous deluxe reissue.

Saturday, 18 April 2015

Madness 7 Remastered As Requested By JB


Madness 7 

Get It At Discogs
While Madness were still the most fun you could have with your clothes on, their third album, 7, showed a side of the band that we had not seen before. On the surface, the album contained their usual jovial and fun approach to music, yet, lyrically, it pointed in a far more somber direction. The single "Grey Day" was a dub-laden and lyrically depressing come-down after the party the band had on the first two albums... and it was brilliant. "Mrs. Hutchinson" deals with the impending death of a certain hospital patient. "Cardiac Arrest" describes a heart attack brought on by stress. "Shut Up" is sung from the point of view of a career criminal caught in an uncompromising position. Well, OK, so it may not be the 'woe is me' crap that Emo bands have given us in recent years, but for Madness, this was serious stuff. That is not to say that the album isn't fun, because it is. "Benny Bullfrog" is a gem of a tune, no matter how close it gets to novelty. More musically diverse than Absolutely, 7 is a stunning and mature album that this writer feels is one of their best albums, if not their best. Ska fans were sorely disappointed by the lack of skanking tunes, but Madness had grown up and this albums remains a fantastic platter of Pop gems. Once again, Langer & Winstanley's production is flawless. NOTE: While "It Must Be Love" was NOT included on the album, it was released as a single shortly after this album's release and can be found on the bonus disc. One of their all-time finest singles, "It Must Be Love" was a brilliant re-invention of the classic Labi Sifre tune, succeeding on all levels. In fact, many folks think it's a Madness original... and they definitely turn it into a song they can nearly claim as their own.
Disc One features the original 13 track album. Disc Two features three tracks from a Richard Skinner session (including "Tiptoes", which was later recorded for the band's following album, The Rise & Fall) plus eight additional non album tracks (including "It Must Be Love", "In The City" and even the very rare extended version of "Cardiac Arrest").
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