Oasis Time Flies... 1994-2009

Oasis Time Flies... 1994-2009

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Wasting no time in the wake of the Gallagher brothers sudden 2009 implosion, Sony released the deluxe Time Flies 1994-2009 retrospective in the summer of 2010, just in time for the 15th anniversary of (What’s the Story) Morning Glory? The driving idea behind Time Flies is to collect all 27 of Oasis’ British A-sides, a simple idea that would seem to fit one of the great singles band, but sticking to the singles winds up leaving many great songs behind, including their manifesto “Rock & Roll Star,” “Champagne Supernova,” the lovely “Talk Tonight,” and Noel and Liam’s duet “Acquiesce,” among many tremendous B-sides, “(What’s the Story) Morning Glory” and “Champagne Supernova,” to name a few. The latter is added to the U.S. version, since it was an actual hit in America (the U.S. version does not contain “Sunday Morning Call”), but it doesn’t change the fact that Time Flies winds up missing more staples than it should…enough to make it miss the definitive designation it should carry. Nevertheless, Time Flies is a better overview than 2006’s Stop the Clocks, of which it shares ten tracks (11 in the U.S. incarnation) and not just because it’s more generous by a measure of almost ten tracks. Time Flies does a better job of rounding up the highlights from their patchy turn-of-the-millennium albums -- actually, it emphasizes Heathen Chemistry almost a bit too much, with its five tracks outweighing the number of selections from Definitely Maybe and Morning Glory -- and has space for selections from their smashing final album Dig Out Your Soul, including sneaking on “Lord Don’t Slow Me Down,” which makes its album debut here along with the 1994 Christmas single “Whatever.” All that’s enough to make this the Oasis comp of choice until the definitive collection comes around. [Time Flies is improved considerably in its deluxe edition which is the U.K. double-disc expanded by a third disc containing a concert from The Roundhouse in London

The Killers Hot Fuss

The Killers Hot Fuss 

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There are so many garage rock/dance-rock tunes perfectly stylized and glamorous for the pop kids in the city and in the suburbs of new-millennium America. What's nice about these the bands producing these songs is how they strive so desperately to individualize themselves. On a commercial level, they do quite well in delivering catchy pop hooks. When it comes to having actual talent, a select few actually do possess attention-worthy integrity. But there are others who don't, and they disappear from the American consciousness after a brief flirtation with success. Such theories, however, are left up to the individual music fan, so let's put that aside for a moment to experience the decadent pop world of the Killers. The Las Vegas foursome introduce a perfectly tailored new wave-induced art rock sound on their debut, Hot Fuss. They wooed MTV audiences and modern rock followers with the success of "Somebody Told Me" during summer 2004. This chunky-riffed single loaded with androgynous mystery and a dalliance with new romantic energy captures the infectious delivery of the Killers as a band. Vocalist/keyboardist Brandon Flowers does his best Simon LeBon imitation; the sex appeal and the boyish charm are perfectly in place as the rest of the band accents his rich, red-hotness just so. "Jenny Was a Friend of Mine" and "Mr. Brightside" are equally as foxy as the album's first single, affirming that a formula is indeed in motion. It's hard to deny the sparkle of Depeche Mode beats and the sensual allure of Duran Duran. After 25 years, those sounds still hold up; by 2004, however, it's an incredible task to pull this kind of thing off without selling yourself to the tastes of the masses. Interpol and the Walkmen have pulled it off; Franz Ferdinand and Hot Hot Heat have potential. The difference with the Killers is that the dynamic doesn't firmly hold together. The gospel/rock jaunt of "All These Things That I've Done" doesn't quit fit around the Cure-inspired synth reveries of "Everything Will Be Alright" and "Believe Me Natalie." "Midnight Show," as much as it plucks from Duran Duran's "Planet Earth" and "Is There Something I Should Know?," does show promise for the Killers. Hot Fuss came at the right time because the pop kids needed something to savor the summer with, and "Somebody Told Me" served that purpose. Now pull out your Duran Duran records and dance like no one is watching.

Kasabian Empire Japanese Edition

Kasabian Empire Japanese Edition

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This is an improvement of Kasabians first album: 'Kasabian.' Some nice guitar riffs are in this one and I'd say It's got more packed in than their first. But Club Foot is still a really awesome song. They have a great sound, listening to classic songs like 'Shoot The Runner' up loud or playing it on an electric guitar is so much fun. You here all these songs several times and you don't know at all who the song's by until they say it on the radio. Then you hear all these other songs and you realise they are from the same band. This happened with me with 'Club Foot' and 'Shoot The Runner' (definately one of their two best songs. There is some good keyboard stuff on some of the tracks, for example: 'Seek and Destory'. They are very good at rocking the crowds with their music, good drumming. I'd advise you to go and see these guys live at some festivel or other because they're nailing those frets! You'll probably find that the lyrics are actually quite better than your first impressions of them even though you may not know the story or even what the hell he's actually talking about! He says the lyrics with pure attitude towards them, they suit how they perform. Speaking of performing Kasabian got nominated for 'Best British Live Act' which they lost out on at the Brits but still are one of the few best. The lyrics suit the music very well, good compliance between the two. There's some great slow singing. He's definately a singer-songwriter you can learn from. But I still think the lyrics need that extra edge, I just don't know why. It's sounds a bit live when you listen to some of the songs. I think Apnoea sounds weird and a song you can't really get used to and also the verse of 'By My Side'. Kasabian's lyrics are sung diffrently from other bands in that there's a lot of words sung over a few seconds. But I have to say that he's got all the musical elements you really need.