Drugstore White Magic For Lovers Japan As Requested By Jbinjapan

Drugstore White Magic For Lovers

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After a lengthy break that made some wonder if the band still existed, Drugstore returned with a new lineup, adding cellist Ian Burdge, and a great second album, White Magic for Lovers. The bulk of attention toward the release came due to the duet on lead single "El President," in that Monteiro's singing partner was Radiohead frontman Thom Yorke. With piano-tinged drama straight out of a Morricone-scored Western making for a great overall motif, Yorke and Monteiro combine wonderfully, the former's high, hurt approach astonishingly suitable for the acoustic guitar/strings drive of the song. As for the album in general, Yorke may well have been a touchstone, as White Magic has more of an upfront kick to it quite reminiscent of Radiohead's brilliant art rock dynamics. There's still the sense of dreamy psych/rock flow at many points -- "Song for Pessoa" is a grand voice/guitar (acoustic) highlight -- but everything's been spiked with quicker tempos, cutting arrangements, and greater overall variety. "Mondo Cane" begins with a brawling punk-level punch, for instance, while "Sober" could have appeared on The Bends without anyone blinking an eye -- and yet it sounds like a Drugstore song in the end instead of a simple cloning. It's a grand balance, and Monteiro's often-biting but equally empathetic lyrics are delivered with her usual panache and even more fire. Robinson, meanwhile, is revelatory on guitar, adding in strange, out-of-nowhere overdubs and turning into something of a new guitar god without showing off about it, even taking whispery lead vocals on the anthemic late-'60s punch "Never Come Down." The overall guest list on the album, meanwhile, ranges from a mariachi band on the anthem-for-the-dispossessed "Say Hello," a fierce and fine opener, to other string and horn players throughout, including drummer Chylinski's sister Kathleen on "Tips for Travelling." An underrated triumph, White Magic for Lovers shows Drugstore giving rock a well-deserved blast of new energy and passion.

Drugstore Drugstore Japan

Drugstore Drugstore

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After a slew of singles that won praise for their smoky and sweet feelings of Jesus and Mary Chain/Mazzy Star strung-out psych-and-bliss late-night atmosphere, Drugstore went ahead and created an album that lived up to those expectations. But that's a too simplistic comparison in some ways, thanks largely to the inspired singing from bassist Isabel Monteiro. A just-confrontational-enough character in interviews, that quality carries over to her recorded work as well, able to hit aggressive points more than Hope Sandoval ever could and unafraid of not always being cool like the Reid brothers. No trace of her Brazilian accent surfaces -- if anything she sounds like she could be a cross between Patsy Cline and Marianne Faithfull, with all the ability and control that implies. Consider "Alive" as a particularly fine example, her simple conclusion of "I am burning" suiting the circular feedback loop and hint of violin that concludes the track, or the low-key backing vocals overdubs on the hushed "Saturday Sunset." As a group, Drugstore clearly has its inspirations, but the result is thoroughly attractive while retaining a strong sense of individual drama. Guitarist/keyboardist Daron Robinson knows how to crank it up and keep it calm, and while it becomes something of a formula by the end of the disc, it still works very well. Call it a sense of loud/soft dynamics in a different setting, rather than repeating the obvious Pixies/Nirvana conclusions so many other '90s bands ground into the dust. "Favorite Sinner" is a fantastic example of same, with a soft sense of building threat as Chris Isaak-styled reverb twang turns into a slow burning feedback frazz and retreating again before an abrupt ending. "Solitary Party Groover" and the wonderful "Starcrossed" received the most attention due to their appearance as singles, but this whole album is an excellent, quietly enveloping treat.