Nik Kershaw The Riddle
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The 1980’s remain a seminal period in the development of music. Sonic styles and trends came, and, much like the barbarian tribes that ran amok in the Dark Ages, abruptly ended, or were supplanted by something else entirely. The rise of the synth as the instrument of choice, and the cultural resonance and obsession with commercialized pop music led to an entirely new era in the worldwide music industry. Some musicians grew to become icons, destined to be hailed for decades to come, while others simply achieved one or a few (the lucky ones, that is) charting hits, then sputtered out, never to rise again.This is the world in which Nicholas David Kershaw, better known as Nik Kershaw, was born and bred. It’s easy to look at just the musical achievements of the time, and candid shots from classic 80’s films and conclude (falsely) that entry costs and earnings were, respectively, low and plentiful. On the contrary, the 80’s were one of the most dangerous times for career musicians, as sonic trends were so mercurial, and subject to change. This didn’t stop Kershaw, however, and the little lad from Ipswich landed a charting hit with Wouldn’t It Be Good in 1984, which he followed up with his debut album, Human Racing.Then, in late 1984, Nik Kershaw released what would become one of his (if not THE) most beloved albums, The Riddle. The album itself has a good weight to it, ranging in at 10 tracks, however, it seems to lack a center of gravity. The opener, Don Quixote, is an 80’s pop fanfare of the highest order, combining basic synth rhythms with artificial orchestra hits, and a Latin-esque counter melody. It hits intensely, and is highly infectious.The title track is also impressive as well: the flute-like synth melodies and general marching percussion rhythm work wonders, and The Riddle feels not only catchy, but also takes on it’s own inertia,The reissue includes several of Kershaw’s live performances, and a few extra tracks, of both original material, and reworkings of tracks from The Riddle
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