Queens Of The Stone Age Rated R Deluxe Edition

Queens Of The Stone Age Rated R Deluxe Edition

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The second Queens of the Stone Age album, Rated R (as in the movie rating; its title was changed from II at the last minute before release), makes its stoner rock affiliations clear right from the opening track. The lyrics of "Feel Good Hit of the Summer" consist entirely of a one-line list of recreational drugs that Josh Homme rattles off over and over, a gag that gets pretty tiresome by the end of the song (and certainly doesn't need the reprise that follows "In the Fade"). Fortunately, the rest of the material is up to snuff. R is mellower, trippier, and more arranged than its predecessor, making its point through warm fuzz-guitar tones, ethereal harmonies, vibraphones, horns, and even the odd steel drum. That might alienate listeners who have come to expect a crunchier guitar attack, but even though it's not really aggro, R is still far heavier than the garage punk and grunge that inform much of the record. It's still got the vaunted California-desert vibes of Kyuss, but it evokes a more relaxed, spacious, twilight feel, as opposed to a high-noon meltdown. Mark Lanegan and Barrett Martin of the Screaming Trees both appear on multiple tracks, and their band's psychedelic grunge -- in its warmer, less noisy moments -- is actually not a bad point of comparison. Longtime Kyuss fans might be disappointed at the relative lack of heaviness, but R's direction was hinted at on the first QOTSA album, and Homme's experimentation really opens up the band's sound, pointing to exciting new directions for heavy guitar rock in the new millennium. [For its tenth anniversary, Rated R receives a deluxe double-disc reissue that tweaks the cover color from blue to red and adds a bonus disc rounding up all the B-sides from the album’s accompanying singles and a brutal live set from the 2000 Reading Festival. The B-sides maintain the high quality of Rated R -- the stomping “Ode to Clarissa” should have made the cut on the proper album and deservedly was part of the Reading live set, “Born to Hula” points toward Songs for the Deaf, “You’re So Vague” cleverly spins Carly Simon’s “You’re So Vain,” while the band offers strong covers of Romeo Void’s “Never Say Never” and the Kinks’ “Who’ll Be the Next in Line” -- but the real treat is the storming live set that pairs selections from the QOTSA debut with Rated R material, swapping studio precision for brutal force and adding a sneak peak of Songs’ “Millionaire” for good measure. It’s the band at its best and reason enough for any fan to buy this excellent album again.]