Whipping Boy Heartworm
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As recently as 2013, Whipping Boy’s masterpiece, Heartworm, topped a poll of the best Irish albums of all time, conducted by Phantom FM, beating out competition from U2, Van Morrison and My Bloody Valentine. Heartworm’s status as Ireland’s Nevermind is still very much in tact. Arriving as it did it in the mid 90’s, Heartworm, fittingly, has a foot in both grunge and britpop: the tsunami of layered guitars, angst and aggression of the former mixed with the direct, instant and focused pop craft of the latter. Guitarist Paul Page and bassist Myles McDonnell built musical canvases that took the best from The Velvet Underground, Sonic Youth, Spacemen 3 and Echo & The Bunnymen. Vocalist and lyricist Fearghal McKee wrote of an Ireland that seemed uncharted and uncovered, describing in terms befitting of an Irvine Welsh novel the seedy side of life in Dublin, crooning as he does in a Dublin accent. McKee’s lyrics, though dark and claustrophobic, have an inclusive strand that made fans feels part of a gang: ‘We Don’t Need Nobody Else’ became a raison d’etre for the band and fans alike, while ‘When We Were Young’ meant to The Pope’s Children what The Undertones’ ‘Teenage Kicks’ had meant to the generation before. If Heartworm is the sound of a band in transition, moving into the next dimension, it’s also the sound of a generation in transition between the early- 90’s hangover from the recession- stricken 80’s to the Celtic Tiger years, which really began in 1997, by which time the band had, sadly, imploded and run out of steam.