Erasure The Innocents

Erasure The Innocents

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Having built up a strong fan base and back catalogue in just a couple of years, Erasure turned into a full-blown pop phenomenon thanks to The Innocents, winning the British equivalent of the Grammy for album of the year and spawning a big American hit single, "Chains of Love." Stephen Hague took over as producer from Flood, perhaps smoothing out some points for a more general mainstream appeal but otherwise letting the strengths of the songs speak for themselves. It begins with another single and stone-cold classic, "A Little Respect," with a charging beat/acoustic guitar/synth arrangement and a flat-out fantastic performance from Bell, especially on the ascending chorus. Guest performances help flesh out a number of songs quite well. Wheeler and others reappear on "Yahoo!," a gospel-touched (musically and lyrically) number, while noted session performers the Kick Horns add just that to the "please come back" punch of "Heart of Stone." On their own, though, the duo continues in the same general vein of earlier releases while the Erasure formula of dance/synth/soul was now clearly established through and through, thankfully the combination of slight variety and overall performance prevents the album from dragging. The Innocents' ballads are perhaps a touch prettier than the lyrics would make them out to be, but if the sheen of songs like "Hallowed Ground" cuts away from the sometimes blunt images of poverty and hopelessness Bell calls up, the music still has a solid power. The CD version adds a fine original, "When I Needed You," and a fun cover of the Phil Spector/Ike and Tina Turner classic "River Deep, Mountain High."

Killing Joke The Peel Sessions 1979 - 1981

Killing Joke The Peel Sessions 1979 - 1981

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A dream release for the Killing Joke faithful, this 2008 compilation collects the first four sessions the band did for the legendary BBC Radio DJ John Peel plus a bonus session recorded for Richard Skinner's program. The years covered are 1979 to 1981, so this isn't the usual career-spanning Peel comp, but it does follow the band as they evolve from a tribal post-punk unit that could have been signed to the esoteric Factory to an apocalyptic metal group that often landed in the pages of metal mag Kerrang!. Raw versions of the big, important numbers from the time -- "Wardance," "Complication," "The Fall of Because," and "Tension" -- are all here to illustrate the change. These under-produced alternatives either equal or better their official album counterparts but what's revelatory are the rare numbers like "Malicious Boogie" where the band play cowbell-driven, no wave funk as if they were Medium Medium or Liquid Liquid. Liner notes from Alex Paterson, who was a Killing Joke roadie before he was the Orb, speak to these experimental years with stories of guitarist Geordie's Wall of Sound and bassist Youth playing the "Rapper's Delight" 12" repeatedly. While it's a sliver of the longstanding band's history, anyone with a taste for their early years will be thrilled by this thorough, well-presented set.